Two huge Bollywood blockbusters just hit theaters in the last two weeks across the world. Both are selling out as crowds flock and millions of dollars have been made so far.
On the surface both films look quite different.
Padmaavat is an epic drama about two warring kingdoms, staged in the 13th century. It capitalizes on the glamor of the royal life in the prime of Rajput glory. It has clear protagonist (Queen Padmaavati and King Maharawal Ratan Singh) and antagonist (Sultan Alaudin Khilji). The basic thrust is that Sultan Khilji becomes obsessed with Queen Padmaavat and conquers her kingdom so that he can take her for himself. Spoiler alert- in the end, upon defeat of the Rajput army, the entire clan of Rajput women burn themselves alive to prevent capture by the conquering army, thus maintaining the honor of the community.
Pad Man, is staged in dusty streets of North Indian Varanasi, in modern times. The protagonist is real life inventor, Arunachalam Muruganantham and the antagonist is society itself. He is a simple man fighting against societal norms to create low cost sanitary pads for women. The thrust of the film has created a movement across India to openly discuss menstrual health of women, a topic which has been taboo for millennia in the Indian subcontinent. He faces many obstacles, the biggest one being the sheer shame put on him from the community, accusing him of being a pervert, an adulterer and mentally ill.
However different these two films may appear, a common thread ties through both of the films – defending honor and avoiding shame.
In understanding the underlying motivations of societies, there are three worldviews:
- Guilt-innocence cultures are individualistic societies (mostly Western), where people who break the laws are guilty and seek justice or forgiveness to rectify a wrong.
- Shame-honor cultures describe collectivistic cultures (common in the East), where people are shamed for not fulfilling group expectations and seek to restore their honor before the community.
- Fear-power cultures refer to animistic contexts (typically tribal), where people afraid of evil and harm pursue power over the spirit world through magical rituals.
These differing worldviews are what propel a number of our East/West conflicts and misunderstandings. Grasping the shame and honor context is one of the most critical pieces to understanding modern India, as we know it today.
Most of the Bollywood films have some sort of shame/honor theme. If you watch closely, even the most seemingly glitzy and modern Bollywood films carry this theme underneath the skimpy dancing and flashy cars.
Amidst the glamor of Padmaavat and the simplicity of Pad Man, these films show how critical these motivations are to Indians. However modern, anglicized and forward India may be on the world stage, lets not confuse the true underlying motivations of shame and honor that lay in the modern Indian heart.
Credit to Author, J. Georges, for definition of three worldviews.
